TWO WORDS FROM THIS ONE WORD MEANING “MEDITATE” AND “DOODLE”

ADDING A THIN TRANSPARENT LAYER OF PAINT OVER TOP OF A DRIED LAYER OF PAINT

TYPE OF PERSPECTIVE THAT USES SIZE, PLACEMENT, OVERLAPPING, AND DETAIL TO SHOW DEPTH

RELATIVE SIZE OR SCALE WHEN COMPARING OBJECTS OR PARTS TO THE WHOLE

SHADING TECHNIQUE THAT USES PARALLEL LINES IN VARYING DIRECTIONS TO CREATE VALUE

TO TELL A STORY WITH PICTURES

USING THINNED PAINT WITH A STIFF BRUSH AND APPLYING PRESSURE TO CREATE TINY SPECKLES OR DOTS OF PAINT

USE OF OBJECTS ON THE EDGES THAT MAKE THE VIEWER LOOK AT THE FOCAL POINT IN THE CENTER OF AN ARTWORK

AREA WHERE OBJECTS APPEAR TO GET SO SMALL THAT THEY “DISAPPEAR”

REASON TO CLEAN ACRYLIC PAINT OUT OF BRUSHES

PERIOD OF ART THAT USED NATURAL CURVES AND VIVID COLORS OF PLANTS

TYPE OF BRUSH USED FOR THE DRY BRUSH TECHNIQUE TO CREATE FUR LIKE TEXTURE

FLOODING AN AREA WITH WATER AND THEN DROPPING IN WATERCOLOR

WHERE THE SKY MEETS THE LAND OR WATER (A.K.A. EYE LEVEL)

IN THREE POINT PERSPECTIVE, THE OPPOSITE OF BIRD’S EYE VIEW

DESCRIPTION OF FONT THAT MEANS “WITHOUT FEET”

APPLYING TWO WET PAINTS NEXT TO EACH OTHER AND GRADUALLY BLENDING ONE INTO ANOTHER TO CREATE A GRADIENT.

PAINTING SHADOWS OR DARKER COLORS OVER TOP OF DRIED LIGHTER AREAS

TECHNIQUE USING SMALL DOTS TO CREATE SHADED AREAS OF VALUE

ART PERIOD THAT USED GEOMETRIC SHAPES AND NEUTRAL COLORS

NAME OF THE BOOK THE CHI RHO (CHRIST) PAGE COMES FROM

NAME OF THE MATERIAL USED TO CREATE EXTRA FUR, SCALE, OR FEATHER-LIKE TEXTURE BEFORE PAINTING WITH COLORS

RULE OF COMPOSITION THAT STATES THE FOCAL POINT HAS TO BE OFF CENTER TO BE INTERESTING

ANGLED LINES THAT MERGE AND CREATE THE ILLUSION OF DEPTH OF BUILDINGS

THE NAME THE HOUSE DESIGNED BY FRANK LLOYD WRIGHT TO MERGE ARCHITECTURE WITH NATURE