This writer and Waa-2 co-director was famously proclaimed to be the “Oracle of Waa-Mu” for his uncanny ability to predict plot points in the show before they would be written.

This moment had the most songs written for it.

This infamous iteration of Waa-2 was famously known for general debauchery, cocaine, show choir smackdown, and sexual experimentation.

This word was in many rejected show titles due it rhyming with “paint” and being a popular word for the perineum.

This is only the second year of the writing coordinator position, and these two people were the first two to inhabit the position with their show, For The Record.

This dramaturg famously proposed the acronym “WADER” as a plot device for the show, and was never seen again afterwards.

This urban dictionary term was the original name proposed for Ash, meaning “short of mosquito, typically used by Southerners”, or, “One who ejaqulates”.

This chant was famously established as the moniker of the Waa-2 2016-2017, involving the consumption of fecal matter.

This rejected show title is what a stick-up person would call a wall or object that has been graffitied.

This writing coordinator once told a story about punting an ear of corn into a field with the word “taint” written on it during high school in order to sell the leadership team on the title, “State of the Taint”.

This Waa Mu writer famously submitted what Ruchir Khazanchi described as “The Single Best Application Piece I Have Ever Seen” for their piece about wanting to fuck Megamind.

This plot point was replaced by DTC, described as a sort of energy drink designed to heighten performance.

This former co-chair famously disappeared when rehearsals for their respective Waa-Mu began, and had the honor of receiving the middle name “Broadway”.

This rejected show title is what Clint Eastwood would say to me, a brown man, if he saw me on his lawn.

This writing coordinator famously did NOT know who Pete Buttigieg was in march of 2020

This senior waa mu writer performed at Dillo and was famously and shockingly not a freshman to writing coordinator Emmet Smith.

When Patricia was the owner of an air purification factory, the title of her placeholder solo was “I’m a [what] For Fresh Air?”

this former music director once received the “Leaderboard” superlative during team music dillo brunch for the amount of cast members that he HU’d during his time in Waa-Mu.

This rejected show title referenced both graffiti AND a famous Biblical story wherein a floating hand relays a message to King Belshazzar after the destruction of the first temple AND a colloquial idiom that refers to an ominous message.

These WriCos famously wrote a pitch for the Waa Mu Show about Cupcake Wars and putting rocks in other people’s cupcakes. DOUBLE POINTS IF YOU CAN NAME THE FULL PITCH TEAM:

This widely adored celebrity inspiration was infamously a part of an anti-graffiti campaign the 1980s but also was a key influence in determining the name of one of the cities in the “State of the Art” universe, and is the subject of his own self-titled video game.

This “The Other Ones” lyric got censored in order to make State of the Art more family-friendly.

This current super senior was in Waa-Mu for 3 straight years (and no other shows). He had one solo lyric in the finale of Manhattan Miracle, and somehow managed to fuck it up every single night.

This rejected show title involved mammalian hibernation and was also the name of an “unaffiliated” fundraiser party, or fundie, in fall.

These WriCos met the summer of 2015 at Rutgers Summer Acting Conservatory.